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• The CMC web-shop contains CDs, books, printed scores, digital scores, and published scores, all available for purchase online. 

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• Not all scores listed for sale have parts. Should you require parts (including tape parts) for any of these scores, please email CMC Production Coordinator, Keith Fennell (kfennell@cmc.ie). 

• Not all works listed under composer profiles have scores available for sale via the CMC web-shop. Scores for such works may be held in the CMC Library and / or they may be available for purchase elsewhere. Please email the CMC Library team (library@cmc.ie) for more information. 

• The majority of CMC Library holdings may be consulted in the CMC Library at 19 Fishamble Street, Dublin 8. For more information, and to book a visit, click here.

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Refleksija

Trio Violina Anime
Tracks include:
Ian Wilson 1927 for three violins
Ian Wilson Sonata for solo violin

€ 9.76
British Fantasies, American Dreams cover

British Fantasies, American Dreams

Included in this CD is Ian Wilson’s ‘Spilliaert’s Beach’, inspired by Belgian artist Leon Spillaert’s painting Moonlit Beach (1908). This is a dark, almost abstract work with a single shining focus. The work is dedicated to flautist Nancy Ruffer who forms part of the duo, along with pianist Helen Crayford that present this compilation of pieces from American and British composers.

€ 15.70
Ian Wilson: Still Life in Green and Red cover

Ian Wilson: Still Life in Green and Red

Ian Wilson

‘Still Life in Green and Red’ is a work by Ian Wilson for string quartet and soundtrack composed in 2011 as part of Mayo County Council's Landmark Public Art programme. The work is performed by the ConTempo String Quartet and the recorded soundtrack, which was realised by Stephen McCourt, is made from interviews which Wilson recorded as part of the residency in Mayo.

€ 0.00
Contemporary Music from Ireland, Volume Two cover

Contemporary Music from Ireland, Volume Two

Volume Two in a series of promotional CDs issued without charge by the Contemporary Music Centre to provide a stimulating introduction to the work of Irish composers. This 'musical calling card' was produced with the assistance of funding from the Arts Council / An Chomhairle Ealaíon. See also Volume Three and Four in the series.

€ 0.00
Ian Wilson: Bewitched cover

Ian Wilson: Bewitched

Ian Wilson

In this song cycle the texts are actual segments of conversations with patients during Ian Wilson’s residency at the Stroke Unit of the Adelaide and Meath Hospital in Tallaght. Each song by Wilson segues into a song sung by Doris Day, the latter always reflecting on the former in ways which can be by turns poignant and witty.

€ 0.00
One Gram of Time cover

One Gram of Time

Ian Wilson

The versatile Amstel Saxophone Quartet from the Netherlands features Ian Wilson’s ‘Atlantica’ on this disk, together with works by Xenakis, Donatoni, Tristan Keuris and others.

€ 15.70
Pieces of Elsewhere cover

Pieces of Elsewhere

Ian Wilson

The result of a public art project in Sligo from 2005, 'Pieces of Elsewhere' features Ian Wilson's setting of 17 haikus for soprano and percussion ensemble performed by Natalie Raybould and the RIAM Percussion Ensemble, conducted by the composer.

€ 0.00
Tundra cover

Tundra

Ian Wilson

Tundra was based on an idea by Anne Gilpin. It is inspired by William Wordsworth’s poem “Composed a few miles above Tintern Abbey” and Laura Gilpin’s photograph “The Prairie”. The music was composed by Ian Wilson and features Mark O’Keeffe on trumpet with sound realised in collaboration with Jürgen Simpson.

€ 0.00
The Irish Piano cover

The Irish Piano

This RTÉ lyric fm release is Michael McHale’s début solo album. It features piano miniatures by composers from William Vincent Wallace to Garrett Sholdice, along with the performer’s own arrangements of Irish traditional airs.

€ 12.19
Una Santa Oscura cover

Una Santa Oscura

Ian Wilson

Ian Wilson’s ‘Una Santa Oscura’ (’an obscure saint’) is inspired by Hildegard of Bingen, a German abbess, mystic and composer. The music is partly ritualistic and meditative in nature, structured to reflect a ‘cloistered’ day. An electronically-generated tape part plays almost continuously, and much of its basis is one of Hildegard’s compositions, ‘Ave Maria, O auctrix vite’, which is heard at the very end of the work. The work is performed by Ioana Petcu-Colan.

€ 0.00

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